In the midst of all the insanity taking place on Parisian
streets lately, I was nonetheless determined to visit one of the chicest
cultural hotspots in the city: La
Fondation Louis Vuitton. Located in the Bois de Boulogne, just outside the péripherique,
the Fondy LV – as I like to refer to it – is an architectural marvel dedicated
to art exhibitions which rotate on a seasonal basis. Currently exhibiting the
work of a personal fav, Egon Schiele, whose work I initially became obsessed
with following a trip to Vienna’s Leopold Museum, as well as Jean-Michel
Basquiat, I felt a visit was an absolute personal obligation before bidding a
farewell to Paris in time for Christmas.
After a slightly muddy walk through the woods, all the while
rocking out to the seasonal bop that is Winchester Cathedral Choir’s rendition
of ‘In the Bleak Midwinter’, the swooping glass heights of the museum’s
exterior beckoned me to a clearing. It was a very poetic moment, and I felt
like Snow White. Anyway, the queue was practically non-existent owing to the
fact it was a sullen Wednesday afternoon, so after being vetted for potential
terror threats – a classic Parisian experience – I bought my ticket and strut
through the door!
Upon entry, I was a little shocked to discover that one of
the museum’s staff, the very same who had been allocated to ticket-checking,
was someone I had previously encountered in dramatic and rather scandalous
circumstances. Feeling this may have been a bad omen, I was perhaps slightly
nervous that my visit to Fondy LV would be cursed by infrared flashbacks of
bitch-fests and club nights on the midnight city streets, but thankfully, no
such psychologically scarring happenings occurred. I’m very aware that what I
just wrote is probably completely indecipherable to everyone reading this post,
so let’s move on.
My first stop was the Egon Schiele exhibition. Not really sure what to say about this as I’m not an art critic, and a badly edited Wikipedia article would probably be of more insight, but what I can tell you is that I very much enjoyed. The exhibition perhaps wasn’t as good as the work currently on-show in Vienna, but I’d go as far to say that it’d be of interest to any fan of Schiele’s oeuvre, or anyone interested in the existential expressionist line of the body which differentiates the internal corpse to that of external warfare – I mean, lol who isn’t?!
My first stop was the Egon Schiele exhibition. Not really sure what to say about this as I’m not an art critic, and a badly edited Wikipedia article would probably be of more insight, but what I can tell you is that I very much enjoyed. The exhibition perhaps wasn’t as good as the work currently on-show in Vienna, but I’d go as far to say that it’d be of interest to any fan of Schiele’s oeuvre, or anyone interested in the existential expressionist line of the body which differentiates the internal corpse to that of external warfare – I mean, lol who isn’t?!
Afterwards, I spent some time looking at the Basquiat
collection, which was much more extensive, and very well-displayed.
Unfortunately, I can’t provide any further insight into this exhibition as I’m
not a huge fan of this particular artistic movement, undoubtedly due to my own
ignorance. However, everyone else seemed to be interested, which can only be a
good thing!
One thing I would say to all curators / museum designers
currently employed at La Fondation Louis
Vuitton: please make your loos a bit easier to find, and install a normal
cafe, please! I mean, the restaurant on the ground floor did look lovely, but
as a penniless solo visitor, I wasn’t really in the mood to spend upwards of 50
euros on a miniscule plate of parmesan foam when all I really wanted was a hot
choc with some mini marshmallows.
xoxo






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